At nine minutes and 48 seconds, this b-side handily earns the distinction of being Pulp’s longest song. Like most long Pulp songs, it also serves as an opportunity for an extended Jarvis monologue, this one about the squalor and hopelessness of Sheffield council estates. Here, Jarvis focuses his ire on Kelvin Flats, which were apparently especially dismal. While his diatribe is at times impenetrable sans lyric sheet, it melds perfectly with the band’s performance, a superior ebb and flow driven by a guitar line that’s both cheesy and ominous. At times, “Deep Fried in Kelvin” seems almost trance-inducing; you can even forget that it’s nearly ten minutes long. As it approaches provincial concerns with a cinematic sense of scope, the song found its way into theaters, via a scene in The Full Monty. And you gotta love the fake-out ending.
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