A new song recorded for the band’s 2002 Hits compilation (which did not do well commercially), “Last Day of
the Miners’ Strike” was, for a long time, the last word from Pulp, in terms of
new recorded music. As befits a band’s farewell, the feel of the song is valedictorian
and elegiac. It’s anthemic, without going out of its way to be approachable. The
song never veers away from a repeating chord sequence. And yet the music rises
and swells in a rousing, inspiring way. Jarvis loosely, obliquely charts his
personal history and a general, awakening political consciousness, in relation
to Sheffield. (The city’s Miners’ Strike of 1984-1985 is a significant piece of
UK history. It’s also a fairly seminal moment in the band’s story, as seen in The Beat is the Law.)
At the song’s close, the theme becomes a clear: It’s another
plea to move on from the past, to make something inspiring in the present.
Jarvis reckons with his history – both in terms of his hometown and his band --
in order to put it behind him. It shouldn't really be a surprise to anyone that
Pulp went on indefinite hiatus shortly after this song came out.
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